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Game result (chess) S. Gounant, 2288 M. Bussoli, 2269 1/2-1/2 See game 146175 |
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FICGS__CHESS__CLASS_A__000164
(type : rated round-robin, time : 40 days, increment : 40 days / 10 moves)
 Game 88361  (chess) |
Last move : 1/2-1/2 2016 February 11 13:34:37
[Event "FICGS__CHESS__CLASS_A__000164"]
[Site "FICGS"]
[Date "2015.09.03"]
[Round "1"]
[White "Teverovski,Bogoljub"]
[Black "Lobanov,Alex"]
[Result "1/2-1/2"]
[WhiteElo "2028"]
[BlackElo "2157"]
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 6.Be3 e6 7.f3 b5 8.Qd2 Nbd7 9.g4 h6 10.O-O-O Bb7 11.h4 b4 12.Na4 Qa5 13.b3 Nc5 14.a3 Nxa4 15.axb4 Qc7 16.bxa4 d5 17.e5 Nd7 18.f4 Nb6 19.Rh3 Be7 20.f5 Nxa4 21.Bf4 Rc8 22.fxe6 O-O 23.g5 Nc3 24.Rxc3 Qxc3 25.Qxc3 Rxc3 26.gxh6 fxe6 27.Nxe6 Rb8 28.Bd3 Ra3 29.Kb2 Bxb4 30.Rg1 Bc6 31.Rxg7+ Kh8 32.Rh7+ Kg8 33.Ng5 Be8 34.Rg7+ Kh8 35.Nf7+ Bxf7 36.Rxf7 Ra4 37.c3 Kg8 38.h7+ Kh8 39.cxb4 R8xb4+ 40.Kc2 Rxf4 41.Rd7 Rf8 42.e6 Rb4 43.e7 Rc8+ 44.Kd2 R4b8 45.Bg6 a5 46.Kd3 a4 47.Ra7 Ra8 1/2-1/2
ECO code : B90 , the name of the chess opening is displayed below :Sicilian : Najdorf, Byrne (English) attack
Queenside Castling by player White (move 10)
Kingside Castling by player Black (move 22)
This chess game ended in a draw.
Follow this game move after move
(download)Dazzling combinations are for the many, shifting wood is for the few. (Georg Kieninger)
Viele Opfer benötigen überhaupt keine konkrete Berechnung. Es genügt sich die entstehende Position kurz vorzustellen, um uns davon zu überzeugen, dass das Opfer korrekt ist. (Mikhail Nekhemyevich Tal)
De eso se trata el Ajedrez. Un día le das una lección a tu oponente y al día siguiente el te da una a tí. (Bobby Fischer)
Les écrivains ont utilisé les échecs pour analyser les côtés extrêmes de la nature humaine. Dans ce cadre, les échecs offrent un champ d'expérimentation idéal. Mais on pourrait faire la même chose avec la peinture. Et là, en vous référant à Van Gogh, vous ne tirerez pas de conclusion définitive sur les peintres. (Gary Kasparov)
Life is like a play: it's not the length but the excellence of the acting that matters. (Seneca)
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