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Game result (chess) C. Javier, 2253 A. Duttagupta, 2250 1/2-1/2 See game 145798 |
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FICGS__CHESS__CLASS_A__000132
(type : rated round-robin, time : 40 days, increment : 40 days / 10 moves)
 Game 70255  (chess) |
Last move : 1/2-1/2 2013 January 21 15:17:55
[Event "FICGS__CHESS__CLASS_A__000132"]
[Site "FICGS"]
[Date "2012.12.22"]
[Round "1"]
[White "Sherwood,Russell"]
[Black "Palamarchuk,Oleg"]
[Result "1/2-1/2"]
[WhiteElo "2000"]
[BlackElo "2000"]
1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 b5 5.Bb3 Bb7 6.d4 exd4 7.O-O Be7 8.c3 Na5 9.Bc2 dxc3 10.Nxc3 d6 11.Qe2 Nf6 12.Rd1 Nd7 13.Nd5 O-O 14.a4 Nc5 15.axb5 Nab3 16.Bxb3 Nxb3 17.Nxe7+ Qxe7 18.bxa6 Qxe4 19.Qxe4 Bxe4 20.Ra3 Bc2 21.Re1 f6 22.Nd2 Nc5 23.a7 Nd3 24.Rf1 Nb4 25.Nf3 c5 26.Bd2 Rf7 27.Rfa1 Nc6 28.Bf4 Rd7 29.h4 h6 30.Kh2 g5 31.Bg3 Nb4 32.Nd2 Bd3 33.f4 gxh4 34.Bxh4 f5 35.Bf2 Kf7 36.Ra4 Nc2 37.Rd1 Bb5 38.Ra5 Be2 39.Rc1 Nb4 40.Re1 Bd3 41.Rea1 Rb7 42.R1a3 Re7 43.Bh4 Rd7 44.Bf2 Be2 45.Nb3 Nd3 46.Bd4 Rb7 47.Bg1 Ke6 48.Be3 Bg4 49.Ra6 Kd7 50.Nd2 Nb4 51.Nc4 Nxa6 52.Rxa6 Kc7 53.Nxd6 Rb6 54.Rxb6 Kxb6 55.b4 Kxa7 56.Bxc5+ Kb8 57.Nf7 h5 58.Kg3 Kc7 59.b5 Kd7 1/2-1/2
ECO code : C70 , the name of the chess opening is displayed below :Ruy Lopez : Caro variation
Kingside Castling by player White (move 7)
Kingside Castling by player Black (move 13)
This chess game ended in a draw.
Follow this game move after move
(download)We don't really know how the game was invented, though there are suspicions. As soon as we discover the culprits, we'll let you know. (Bruce Pandolfini)
Ich verstehe mehr vom Schach als irgendein anderer lebender Meister. (José Raúl Capablanca)
Aún deseo matar a Fischer. (Boris Spassky)
Dans le domaine de la peinture, de la gravure et de la sculpture, dès la première décennie de notre siècle, les artistes abandonnent la représentation de la partie d'échecs pour se concentrer sur les pièces, sur les échiquiers et sur toutes les variations auxquelles les unes et les autres peuvent donner lieu. On passe en quelque sorte d'un thème social à un thème musical (au sens de la musica médiévale, c'est-à-dire d'une notion qui inclue le rythme, l'harmonie, la construction et la déconstruction, etc.). Graphiquement et picturalement, l'échiquier apparaît comme une structure ouverte, dynamique, d'une richesse infinie, autorisant toutes les combinatoires et débouchant sur des mouvements et des rythmes de nature exponentielle. (Michel Pastoureau)
Experience is the name we all give to our mistakes. (Oscar Wilde)
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