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Game result (chess) E. Cruz Ramirez, 1928 F. Vasquez, 2079 1/2-1/2 See game 145400 |
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FICGS__CHESS__RAPID_SILVER__000087
(type : rated knockout, time : 30 days, increment : 1 day / move)
 Game 64885  (chess) |
Last move : 1/2-1/2 2012 April 17 17:51:34
[Event "FICGS__CHESS__RAPID_SILVER__000087"]
[Site "FICGS"]
[Date "2012.04.02"]
[Round "1"]
[White "Perikov,Yuriy"]
[Black "Nichols,Scott"]
[Result "1/2-1/2"]
[WhiteElo "2205"]
[BlackElo "2161"]
1.d4 Nf6 2.Nf3 d5 3.c4 c6 4.Nc3 e6 5.e3 Nbd7 6.Qc2 Bd6 7.Bd3 O-O 8.O-O dxc4 9.Bxc4 a6 10.Rd1 b5 11.Bd3 Qc7 12.Bd2 c5 13.dxc5 Qxc5 14.Qb1 Bb7 15.Ne4 Nxe4 16.Bxe4 Bxe4 17.Qxe4 Nf6 18.Qd3 Qb6 19.Rac1 Rad8 20.Qc2 Rd7 21.Bc3 Rc7 22.Qd3 Be7 23.Be5 R7c8 24.Ng5 g6 25.Ne4 Rcd8 26.Nxf6+ Bxf6 27.Qe4 Rxd1+ 28.Rxd1 Rd8 29.Rxd8+ Qxd8 30.g3 1/2-1/2
ECO code : A46 , the name of the chess opening is displayed below :Queen's pawn game
Kingside Castling by player Black (move 7)
Kingside Castling by player White (move 8)
This chess game ended in a draw.
Follow this game move after move
(download)The battle for the ultimate truth will never be won. And that's why Chess is so fascinating. (Hans Kmoch)
Um dein Spiel zu verbessern musst du zuallererst das Endspiel studieren, denn diese kann unabhängig studiert werden. Die Eröffnung und das Mittelspiel müssen immer in Bezug gesetzt werden zum Endspiel. (José Raúl Capablanca)
El Ajedrez demanda una total concentración. (Bobby Fischer)
Botvinnik disait en comparant les échecs à la musique: Il existe une science dont le but est l'étude de l'acoustique et des sons. Mais il y a aussi un art qui se sert de l'océan des sons : c'est la musique. De toute évidence, il en est de même pour la pensée. La logique est l'étude des lois de la réflexion et les échecs reflètent, en tant qu'art, le côté logique de la réflexion, sous la forme d'images artistiques... Extrait de Fischer - Spassky, Reykjavik 1972 par Alexander & F. Wyndham (Ed. Solar), p 37.
A good aphorism is too hard for the tooth of time, and is not worn away with the centuries, although it serves as food for every speech. (Friedrich Nietzsche)
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