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Game result (chess) M. Pech, 2204 C. Maceda, 2285 1/2-1/2 See game 145057 |
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FICGS__CHESS__WCH_STAGE_1_GROUP_04__000005
(type : rated round-robin, time : 30 days, increment : 1 day / move)
 Game 22224  (chess) |
Last move : 0-1 2008 September 6 20:48:12
[Event "FICGS__CHESS__WCH_STAGE_1_GROUP_04__000005"]
[Site "FICGS"]
[Date "2008.07.08"]
[Round "1"]
[White "Bester,Kazimierz"]
[Black "Boehme,Sebastian"]
[Result "0-1"]
[WhiteElo "1407"]
[BlackElo "2032"]
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 6.Bf4 e5 7.Bg5 exd4 8.Nd5 Be7 9.Nxe7 Qxe7 10.Bd3 h6 11.Bf4 O-O 12.O-O Nc6 13.Bg3 Bd7 14.f4 Nxe4 15.Re1 d5 16.Qh5 Qd6 17.Bxe4 dxe4 18.f5 Qd5 19.b3 Rfe8 20.Rf1 Nb4 21.c4 dxc3 22.Rad1 Nd3 23.Bf2 e3 24.Bg3 e2 25.Rf3 exd1Q+ 26.Rf1 Qd4+ 0-1
This chess game has been lost on time (started : 2008.07.08 16:17:19)
ECO code : B90 , the name of the chess opening is displayed below :Sicilian : Najdorf
Kingside Castling by player Black (move 11)
Kingside Castling by player White (move 12)
Promotion Queen by player Black (move 25)
Player Black won this chess game.
Follow this game move after move
(download)Chess is so inspiring that I do not believe a good player is capable of having an evil thought during the game. (Wilhelm Steinitz)
Die größte Kunst beim Schach besteht darin dem Gegner nicht zu zeigen was er tun kann. (Garry Kasparov)
No hay un Gran Maestro de Ajedrez que sea normal; solo se diferencían ellos por la magnitud de su locura. (Viktor Korchnoi)
Dans le domaine de la peinture, de la gravure et de la sculpture, dès la première décennie de notre siècle, les artistes abandonnent la représentation de la partie d'échecs pour se concentrer sur les pièces, sur les échiquiers et sur toutes les variations auxquelles les unes et les autres peuvent donner lieu. On passe en quelque sorte d'un thème social à un thème musical (au sens de la musica médiévale, c'est-à-dire d'une notion qui inclue le rythme, l'harmonie, la construction et la déconstruction, etc.). Graphiquement et picturalement, l'échiquier apparaît comme une structure ouverte, dynamique, d'une richesse infinie, autorisant toutes les combinatoires et débouchant sur des mouvements et des rythmes de nature exponentielle. (Michel Pastoureau)
The real danger is not that computers will begin to think like men, but that men will begin to think like computers. (Sydney J. Harris)
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